exhibit.

HOW TO CONDUCT, GET THE MOST FROM SHOWS AND EXHIBITS

Today, the trade show "business" consumes more than $15 billion a

year from firms just like yours. Every day there are a great

variety of shows going on in major show cities around the globe.

For most organizations, these shows represent a tremendous

expense. As such, you must make certain you are getting maximum

return for your investment and minimize wasted time and money.

Show Expert

Walk down the aisle of a typical show (or think back to

your last show) and look at the booth people. You'll always find

several people who stand at the side of their exhibit with their

arms folded while customers and prospects pass by. They have

presented a territorial boundary to prospective visitors, and

only the most aggressive or most needy will approach the booth.

When prospects do enter the exhibit, untrained salespeople

will allow the customer to control the situation rather than

taking control themselves. You have to encourage them to be

active, not reactive.

But, your first task is getting people to and into your

booth.

You can do this with:

* A targeted, high-visibility direct mail effort aimed at

specific prospective sub-markets.

* Pre-show PR. This entails developing special publicity

efforts outlining what will be shown in the booth during the

show and identifying the booth number to call attention to

your exhibit in the show.

* Advertising tags. This is a simple approach which again

requires at least three months' planning. Here you want to

run a strip-in on your ads something like "See us at the ZYX

Show, Date, Booth #1234".

* For very special customers and prospects, initiate a

computerized letter direct mail effort. This approach can be

highly effective when you want to:

- Have key people meet these individuals face-to- face

- Demonstrate a specific product to them

- Have management discuss specific contracts, needs, or

modifications

- Literally close a contract

Booth Traffic

A hook is any thing or action that tends to massage the

prospect's ego. Use their first name (everyone has a badge), ask

a meaningful question, or simply smile, reach out, and shake

hands like you expected to meet the prospect.

These may sound like simple selling techniques, but you'd

be surprised how often these selling courtesies are overlooked.

Common sense sales techniques work here just as well as they do

in the customer's office.

A show magnet is an obvious draw. Rather than using the

old attraction of the beautiful or attractive girl in the booth,

consider displaying your product or service in an innovative and

original manner. Use color, light, sound, or visuals, and make

them tie in well with your product.

Most booths are static. Movement is one of the best

magnets there is, yet very few people actually blend and design

it into their exhibit and display.

Another attraction is professional talent such as models,

magicians, games, contests, or some type of entertainment. Keep

in mind, though, that they should be pertinent to your product

and display. Tailor them to the message(s) you want people to

remember. Don't allow them to distract from, or worse yet,

overshadow your reasons for being at the show.

Sales promotion items and giveaways are popular magnets.

Such items should have little real value but considerable

intrinsic value so they will be retained as a further reminder of

the company and its products.

Group-Building

You may want to deal with customers and prospects on a

one-on-one basis, but you should be familiar with group-building

techniques so you can handle those instances when you have to

deal with more than one person at a time.

First, stop your target customer. Next, build a crowd

around him or her. This permits you to cover the audience and

all of your bases more effectively. If you want to see this

carried out as a fine art, go to a county fair sometime, and watch the

pitch person(s) with their choppers, knife sharpeners, and

similar items. Within the first ten seconds, these people know

exactly who in the crowd is going to buy, and the rest of the

people are simply window dressing.

Eye contact is of prime importance. For example, you are

talking to one or two people, and someone walking down the aisle

glances in your direction. Catch his or her eye. Briefly focus

your discussion on that person. Then make a movement which

invites the individual to join the group. But don't spend so

much time trying to attract the new person that you lose those

you already have.

Another approach is to assign people tasks. Ask one of the

people in the group to assist you, hold something, or represent a

point you are trying to highlight. Not everyone will accept the

assignment, but many will.

Including and assigning approaches work for groups of eight

to ten people. When the group becomes larger, it is better to

use a platform. This soap-box approach gives the presenter an

advantage over the audience. He or she can maintain eye contact

while demonstrating product benefits, and the audience can

usually see more of what is being demonstrated.

Holding Prospects

Getting people into the booth is only half the battle. You

must hold their attention either by setting up an expectation or

getting individuals involved.

To gain expectation, build suspense. Make the group wonder

about the answer to a question and then promise the answer only

if they listen. But make certain you pay them off with the

answer.

Sequencing is another method of keeping people in the

booth. This is simply a matter of organizing your presentation

into logical segments and presenting them so one builds upon the

other. This can succeed because it permits you to present a

precise, controlled message. People know where you are going and

receive minor payoffs with each point. And the prospects

generally won't leave until they have received the total payoff.

To get the prospect physically involved, have him or her

hold the product or an associating object. The individual will

operate or study it as you carry on your discussion.

If you use verbal involvement, you're getting the prospects

to do the talking instead of having your people make the

presentation. As in every selling situation, this approach works

because you're going to do a better job of gathering information

and tailoring your presentation to the prospects.

Visual involvement directs the customer and controls the

focus of the discussion/demonstration. By pointing out things

you want the prospects to see, you cause them to focus all of

their attention on your points and products.

Another type of visual involvement is that of A-V

presentations tailored to your exhibit. No one will stand and

watch a 15-minute slide presentation or video tape, but they will

watch a tightly produced two- to five-minute presentation.

One thing you can't afford to do is to permit people to

leave your booth until you have determined whether or not they

are viable prospects. Don't let people come in and stand around

without being helped, even if you are tied up with someone else.

Interrupt your discussion, acknowledge the individuals, and tell

them someone will be with them in a few moments.

Simply make eye contact, smile, gesture, and tell them

you'll be right with them. This gives them an obligation to stay

around until you are finished; just don't take too long.

In the meantime, give them something to do. Have them

study a specific section of a brochure or view the A-V

presentation, but keep an eye on them. As soon as you see their

interest waning (assuming you haven't gotten to them

immediately), get back to them.

Getting Rid of Visitors

Obviously, at a show you don't generally have the luxury of

spending as much time with each individual as you might like.

You will make time for the really "hot" prospects, but the others

will be in and out of the booth. The key is to determine their

level of interest. If it is low, quietly move on to more fertile

ground.

Most people will leave after a demonstration, so summarize

in a friendly manner to let them know that you are finished. If

you can't close and can't seem to "shake" the individual, use

some type of sign language to attract assistance from someone

else in the booth. This provides you with an easy and courteous

method of excusing yourself without leaving a sour taste in the

visitor's mouth or leaving him or her with a poor impression of

the organization.

Trade Show Selling

Time and again, we've seen examples where salespeople have

spent weeks or months calling on an organization only to find

suddenly that they were talking to the wrong people. While this

is a strong endorsement of advertising, public relations, and

other promotion, it is of little consolation to the senior

management, sales management, or the individual salesperson --

especially when considering that sales calls now cost in excess

of $500.

Unfortunately, this problem is magnified at a trade show

because :

* The sales situation is reversed, since prospects come to you.

* You have a limited amount of time to present your facts.

* Salespeople have to make more presentations per hour than they

make a day in the field.

To alleviate the differences found in this selling

situation, clearly define the priority of the prospects you want

to reach at the show. Establish direction and focus for the

sales force. Have them target and concentrate their selling

energies.

Have a dry run. Part of your pre-show training should

include concise presentations so you can anticipate and overcome

the problems that may arise with the fast pace of the trade show

environment.

You'll probably receive a lot of resistance from your best,

seasoned salespeople, but they have to be reminded to ask the

basics -- who, what, why, and where -- in their prospecting

process.

Remind them that they have only 90 seconds to attract,

qualify, and interest the attendee, so the key to their success

will be penetration. Have your salespeople write out their

approach. It doesn't have to be a canned presentation, but it

should be prepared.

You'll find that salespeople will ultimately be able to do

a better job. They have a structure within which to work. They

have a solid perception of what they want from the show, their

attitude will be up, and they will be more competent/relaxed on

the floor.

If you want your exhibit to be a winner, develop a uniform,

positive selling attitude; develop and provide clear direction;

and train your people thoroughly in exhibit selling techniques.

The show selling effort and activity should be more than

breakfasts, lunches, and dinners with present customers...more

than late night cocktail parties. It should be a strong and

effective selling event.

Exhibit Costs

Some people have attempted to put together formulas on

evaluating the cost-per-person per show. Others try to trace

actual sales to contacts made at the show, while still others use

a mixture plus a strong dose of gut-feel. The latter is probably

most typical.

Rather than looking at your trade show efforts as an

expense, view them in terms of advertising and promotional

investments just as you do media advertising, sales literature,

direct mail, and publicity. Many people address the concept of a

trade show with "what's the smallest amount of space we can use

this time?", instead of "what is the most effective method of

presenting our message?"

Almost anyone (except heavy equipment or mainframe

manufacturers) would be able to get by with a 10x10 (sometimes

8x10) booth. But would it be a good platform for your products,

your company, your message?

Once you have determined the amount of floor space

required, you'll have to decide how you are going to use the

space to its fullest. The variations are considerable, and they

all ultimately affect the cost.

To determine your exhibit budget, what kind of selling will

you be doing in the booth? Will you be handing out only

literature? Will you be carrying on demonstrations? Will you be

conducting semi-private meetings in the booth? Will you be

spending considerable time with a few groups throughout the show?

What kind of graphics do you have planned? Signage? A-V

presentation? And what mood do you want to establish?

Once you have your floor plan, selling message, product

requirements, and graphic needs spelled out, you can begin to

compile your budget.

Depending upon your desire, you can work with your agency

in conjunction with an exhibit designer/constructor or directly

with an exhibit builder.

As a rule of thumb, you will probably be able to get two

years of show life out of your booth. This is assuming you

participate in four to six shows a year, have the exhibit

well-crated and shipped the best way possible in plenty of time,

and provide adequate instructions for setup and dismantling.

For a booth of moderate quality (not outstanding, but

tastefully done) you can expect to spend $2,000-$4,000 a linear

foot by the time it is completed (booth, graphics, special

effects, etc.). On top of this, you will have to figure that

good crating will cost 25-30% of your booth cost. Since booths

and crates take a terrific beating in transit and during setup,

skimping in this area can be a false savings.

To avoid overtime charges and yet get the product you want,

expect to spend three-plus months from the initiation of the

project to completion.

The above planning and budgeting considerations are based

on the design and construction of an original booth. However,

options are available like:

* Prefabricated knock-down displays

* Prefabricated panel exhibits

* Prefabricated free-standing exhibits

* Rental units from the show exhibit company

* Used/refurbished displays

While these will skew the budgeting, the same thought

process will have to be used to determine if you can, and if you

want, to use one of these alternatives.

Whichever alternative you use, consider the image you want

to project, the image you are projecting, and the image of your

competition at the show. Couple this with the task you want to

perform at the show, and you can arrive at a realistic budget.

Extending Exhibit Life

If you haven't recovered from the expense of building your

last exhibit, it may be possible to update and revitalize past

exhibits with new graphics and remodeling techniques to produce a

totally new look at a very modest expense.

Most of the time, people simply discard their earlier

booths without evaluating if there is any value left in them. If

the structure is still sound, at least some portions of earlier

booths can be saved and reused. And maybe the back walls can be

redone with new plastic laminate, carpet, or Velcro. The new

back walls provide you with a canvas on which you can "paint" a

totally new presentation and company/product image.

Another option/possibility is that you can save portions of

earlier, large booths and construct one or more smaller,

revitalized booths. This approach is especially helpful if you

participate in a broad range of shows and the level of

participation/commitment is not the same in every show.

For national shows you want major impact. However, with

regional shows you can utilize a smaller space and show a more

selected range of products/services. Finally, you may have

strictly local shows where your sales people and/or

representatives feel visibility in the target market community is

not only important but good politics.

You could use a 40x40 booth for major shows, 20x20 or

20-foot linear for regional shows, and 10x10 for local shows.

Rather than produce three-plus booths, refurbish earlier booths

to put your best foot forward in each instance -- economically.

If, after examining existing and past booths, however, you

determine you can't save even portions of them, be brutal. Get

them out. If you don't, you're going to be paying needless

storage costs for something which you cannot, and will probably

never, use.

If you are considering refurbishing an old booth, keep in

mind freight and drayage costs. Previously used booths may have

not been designed with these expenses in mind, and the cost of

shipping heavy/bulky booths does add up very quickly.

Likewise, if the booth designer had a field day in

designing your exhibit and it is too complicated to set up, your

assembly costs may be way out of line, and there will be no

savings. KISS (keep it simple, stupid) works for booths just

like it works for your advertising and the products you

manufacture and sell.

But revamping an existing booth can cost about 50% of the

replacement costs, so the savings are worth considering. A

charge of this magnitude will provide for an extensive facelift

and present a totally new image and message.

Controlling Trade Show Costs

Across the country the cost of trade show services,

including shipping damage, setup, tear-down, and show support

have risen dramatically. It's a major concern to every manager.

But you can keep costs in line and even reduce service

costs by applying a little planning and attention to:

* Pre-show preparation of the exhibit

* Shipping procedures

* Information follow-through

* Rerouting evaluation

* Rerouting procedures

The summary below should help you curtail your trade show

costs.

* Pre-show preparation of the exhibit

- Is the exhibit "right" for the show?

- Does it tell the right story?

- Are any alterations necessary?

- Has it been inspected?

- Is it in good condition?

- If not, have repairs been made?

* Shipping procedures

- Has the quickest and least expensive method of shipping been

elected?

- Has the exhibit been shipped early enough?

- Has it been shipped via the proper carrier?

* Information follow-through

- Has a bill of lading been provided to those who will set up

the exhibit?

- Have the trailer number and tracing information been

provided?

- Has the case containing set-up drawings and hardware been

clearly identified?

- Have those in charge of the exhibit setup received copies of

the order forms for various services?

1. Furniture?

2. Floor covering?

3. Electrical?

4. Telephone?

5. Plumbing?

6. Cleaning?

7. Special orders?

8. Other?

- Have those who will set up the exhibit been notified the

identity of the person to be in charge of the exhibit?

- Also, where can they be reached at any time given?

- If an exhibit service organization is being used, has the

company person in charge been notified where he can reach

the organization's representative?

* Routing considerations

- Should you ship the exhibit back to the point of origin?

- Should you store it temporarily in the city where the show

is being held?

- Should you ship to the city where it will be exhibited next?

- Have clear instructions been given for rerouting?

Evaluate Trade Shows

* Objectives

- Were you successful in meeting the targeted prospects? Did

you get your theme across?

- Did you present the number of demonstrations you set as your

goal? Were the audiences for these presentations as large

as you hoped?

- Did you distribute the volume of literature you set as an

objective? Did you get the targeted number of follow-up

appointments?

- Did you meet your goal in registering new names for the

company promotion list?

- What impressions from visitors about your products did you

change or reinforce? To how many visitors?

- Did you close the number of direct sales you planned?

- Did you find the number of new sales representatives or

suppliers you planned?

- Did you receive the editorial coverage from the trade press

you planned?

- Did you or your staff meet the number of hidden buying

influences for existing customers that you planned? Were

key staff members introduced to the desired number of

existing customers you had set as a goal?

- Did you learn all you planned to about competitors?

* Attendance

- Was the total attendance what you expected?

- Was the attendance what you expected in terms of job title,

geographical location, type and size of company?

- Was the total number of visitors to the booth what you

expected?

- Was the cost-per-person demonstration or sales call what you

budgeted?

- Did you achieve the increased traffic through the exhibit

you planned? How does that traffic compare with previous

years?

- Was the quality and quantity of exhibitors what you

expected?

* Exhibit Media

- Did the exhibit arrive on time? Was it installed and

dismantled according to schedule?

- Was traffic through the exhibit smooth and uncluttered?

- Was the exhibit team professional and competent?

- Did the exhibit attract the quality and type of prospects it

was intended to? Did it hold their attention?

- Was the exhibit well-lighted, and did it provide ample space

for salesmen to talk with interested prospects? Were

products/services realistically portrayed?

- Did the exhibit design adequately identify the company and

fit it to the theme of the show?

- Did the exhibit accurately reflect corporate colors, have

adequate provisions for storing and distributing literature,

and were products well displayed for viewing?

- Were the exhibits of competitors more or less effective?

Why? Which ones?

- Was the exhibit constructed on time and within budget?

- Was the overall design and appearance of the exhibit

consistent with the standards of effective exhibit design?

#######

Author:.

G. A. "Andy" Marken President Marken Communications, Inc. Santa Clara, CA Andy has worked in front of and behind the TV camera and radio mike. Unlike most PR people he listens to and understands the consumer’s perspective on the actual use of products. He has written more than 100 articles in the business and trade press. During this time he has also addressed industry issues and technologies not as corporate wishlists but how they can be used by normal people. He has been a marketing an...

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