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Original Footage Vs. Digital Video Copies
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| Guest post by: Edward Primeau |
Article Overview: As a video forensic expert, I want to examine original video when it is submitted as evidence in litigation. When anyone makes a copy, they have the discretion to copy only the video they feel is relevant instead of all the video recorded regarding the events that actually took place. It is crucial to preserve the original footage’s multiple views of the incident in case of necessary forensic examination. If I can prove scientifically that the original footage-needed to view the facts as they originally occurred-has been intentionally deleted, then I have served a purpose in that litigation.
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Original Footage Vs. Digital Video Copies
Spoliation of evidence seems to be a growing trend in a time
when digital storage has never been more affordable. Every litigation case that involves digital
evidence should maintain the custody of the original evidence until the
litigation is completed.
I am amazed by the number of cases I work on that no longer
have original evidence available for forensic examination. Police cars that use digital CCTV systems
have cards that record footage. These
cards should be kept until the litigation is over. Instead, I experience the police department
transferring the video onto the departments’ video system, which is then burned
to a DVD. This DVD is then labeled
original when in fact it is not the original.
I wish I had a dime for every time I hear “the original
footage has been deleted”. As a video forensic expert, I want to examine
original video when it is submitted as evidence in litigation. When anyone
makes a copy, they have the discretion to copy only the video they feel is
relevant instead of all the video recorded regarding the events that actually
took place.
I understand that the original footage has been deleted from
the CCTV system that was used to record the events and is no longer available
for forensic examination. However, based on my 25+ years as a video forensic
expert, it is my understanding that all digital closed circuit television
systems store video footage']);"> digital video footage once it has been flagged as an event and/or
they export footage to external media like a CD or thumb drive. Plus, the
systems administrative log will have a record of who exported the video to a CD
and who deleted or removed the footage from the system.
When I examine administrative logs, I often find that the
footage was intentionally deleted, like I found in the Chicago E2 nightclub
disaster. The systems administrator’s intentional deletion of Chicago E2
nightclub footage kept anyone from knowing the truth surrounding the events
that led to several people being trampled to death during a panic following a
pepper spraying by a security guard.
It is crucial to preserve the original footage’s multiple
views of the incident in case of necessary forensic examination. If I can prove
scientifically that the original footage—needed to view the facts as they
originally occurred—has been intentionally deleted, then I have served a
purpose in that litigation.
There are many cameras and CCTV systems in place throughout
the public and private sectors of the USA and many other countries. Video
evidence in courtrooms has increased dramatically over the last ten years.
Professional and nonprofessional CCTV (closed circuit television systems) are
available on the Internet and in many retail establishments. As a forensic
video expert, I receive video footage']);"> digital video footage that was recorded at private
homes using non- or semiprofessional
equipment. I have also examined CCTV footage recorded in retail stores
by state-of-the-art high-end multi camera systems and police car digital CCTV
footage.
If you are planning to submit digital video
footage as evidence in litigation, you have to preserve the original video
files for forensic examination. Digital copies can be provided to all interested
parties for examination, but it is the original digital video recording that is
the genuine evidence.
Article Tags: back up, CCTV systems, crime, digital, digital video copies, digital video footage, DVD, original footage, original video files, police department, storage, video forensics, video forensics experts
Referred by: http://www.rgrondeauenterprises.com
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About the Author: Edward Primeau RSS for Edward's articles - Visit Edward's website (800) 647-4281 Ed Primeau began his career in multimedia in 1979. As an engineer in the music industry, Ed has worked with renowned recording artists like Anita Baker, Bob Seger and Barry Manilow. In the early 1980s, Mr. Primeau developed a music industry marketing niche, hosting album release parties for major label record companies. In 1984, Ed founded www.PrimeauProductions.com a full-service video production and Internet marketing company specializing in creative video and social media marketing campaigns. Ed volunteers for charities and organizations throughout the world including the national Speakers Association Foundation http://www.nsafoundation.org/ . Ed is also a presenter to Notre Dame University. In addition, Ed is also a respected audio visual forensics expert engaged in many law cases throughout the United States and Canada. Ed is the author of “The Art of Production   a book about multimedia production including techniques, pre to post production time and money saving ideas and techniques as well as packaging and marketing multimedia products. Ed is also a contributing author for "Advance Selling for Dummies". He has been published in many newspapers and magazines including the Wall Street Journal http://blogs.wsj.com/speakeasy/2009/08/11/pynchon-revealed/. Primeau Productions, LLC is working with The Napoleon Hill Foundation restoring films of Dr. Hill for future release. Primeau Productions, Inc is actively involved with production, publishing and promotion. Digital Internet campaigns for clients throughout the world. www.PrimeauProductions.com and blog www.VideoProductionPrimeau.com
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