The Pluses And Minuses Of Watching One Of The Best
Written by:
Charles Kettner
Article Overview: My tip for all leaders of sales staffs is to let your people watch someone that is mortal. Someone that is going to miss and stumble a little but most importantly has a lot of fun and a great attitude when approaching their job.
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Free Download - Tips For New Trainers By Charles Kettner
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The Pluses And Minuses Of Watching One Of The Best
If you are fortunate enough to have an incredible salesperson on your staff, and I am referring to one of the very few best in your field, there are pros and cons when he or she actually takes a new person out to observe. The obvious pros are that the new person will most likely see an incredible day's work. More than likely the trainee will see at least one or more sales. My problem with letting this new trainee see one of the industry's best is that no matter how hard the peak performer tries to downplay everything or even point out the things that may cause the new person some problems the trainee just won't believe it.
On a number of occasions I have taken out many new trainees on their first day in the field and no matter how I try and brace the new trainee, because I make it look so easy, it completely blows their mind. After watching me they all say "WOW, I can do that. It looks easy". Quite the contrary, I am like the stone cutter. What the new trainee is really watching is someone that has been practicing his craft for 40 years. Of course it looks easy. The real shock comes the next day when the trainee goes out and tries it. That is when reality sets in and they realize how far away they are from emulating myself.
My tip for all leaders of sales staffs is to let your people watch someone that is mortal. Someone that is going to miss and stumble a little but most importantly has a lot of fun and a great attitude when approaching their job. Trust "The Specialist" on this one, at least the new rep feels legitimately that they can do what they saw. Remember, they saw successes and failures. Anyone feels they can duplicate that.
The reason I am covering this in my post tonight is because it will help you retain your staff. When building a sales staff, isn't that the main objective? I have been field training people for 38 plus years and the better I got the harder it was to give these new trainees a fair shake. Just the other day a friend of mine asked me to go out with him while he trained 2 new people. Well, they ended up watching me make 3 sales in 4 calls. The new trainees didn't have a chance. That night it was 'deja vu'..."Man, this is easy!".
Then the sun rose the next morning and it was ugly! Not one of these people lasted an entire day. Same old thing.
Remember, let your new people watch someone closer to their level. That way, their goal becomes attainable.
"The Specialist"
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Profile: Julia Cameron: journalist, screenwriter, poet, nove
- Julia Cameron will be one of our featured speakers at the Ladies Who Launch NYC Speaker Series taking place on April 28. Click for more info.
Julia Cameron is an accomplished journalist, screenwriter, poet, novelist, and playwright. But mention her name in conversation and inevitably it will be linked with The Artist's Way, a workbook for those looking to discover or re-discover their creative selves, which was initially published in 1992 and has sold over 3 million copies.
Cameron grew up in Chicago and began her career writing for the Washington Post and Rolling Stone (where she met director Martin Scorsese, whom she married in 1975 and later divorced). While married to Scorsese, she worked on the screenplays for two of his major films: Taxi Driver and New York, New York. Cameron's first musical, Avalon, was staged in 1998.
At 60, Cameron continues to follow the advice she espouses in The Artist's Way: jotting down her thoughts daily in her "morning pages" and channeling her artistic vision into a variety of projects.
Below, read how Cameron fends off writer's block (yes, even she suffers from it sometimes), calls on friends for guidance, and dispels the myth that writers need to be miserable to be good.
what we learned from julia: "If you're good at doing one thing, you should keep doing it. In England, writers are novelists, playwrights—the word 'writer' covers a wider spectrum of activity." She also said to take a bet on yourself; she did, and it's paid off.
her true calling
"I was born to write. All my brothers and sisters—there are seven of us altogether—are in the arts. My father was in advertising and mom had a master's degree in English and wrote poetry. By the time I was in sixth grade with Mrs. Klopsch, I was already writing short stories and poems."
investigating journalism
"My goal was to write short stories. When I was offered a job at the Washington Post, it seemed like a good way to kill two birds with one stone. I enjoy writing in any form. I was proud of my Rolling Stone pieces. I wrote one about E. Howard Hunt's children. I remember getting in trouble with William F. Buckley. He called my house in Chicago because he thought it was a terrible thing I'd interviewed the children—he was their godfather. My first taste of celebrity was getting a good scolding. During my 20s I was a blind beginner. In my 30s I was a lot more conscious about what I wrote."
screenwriting savvy
"My early screenwriting was for my husband at the time, Martin Scorsese. I worked on Taxi Driver and on New York, New York. When Marty and I got divorced, I had a screenwriting career to pursue. I sold movies to Paramount. They bought the movie but didn't make it. I was frustrated, so I took the money I earned writing for Miami Vice and made a feature film in Chicago."
sobering experience
"1978 is the year that I got sober. My wild ways came screeching to a halt. I needed to find a way to write sober. I had always associated writing with drinking. We have a mythology around creativity that's destructive. We think you have to be broke, alone, neurotic, addicted. None of these things is true. When I got sober, I had to find a way to work soberly. I was 29, and I had a daughter who was a year old."
do it for love, not money
"I've never had to be paid to write. I published two novels. I have a musical opening in Chicago in the fall. Last year I had a play in L.A. The trick is to not need a guarantee and to be willing to write no matter what. Right now I'm writing a sequel to [my novel] Mozart's Ghost, which came out on Valentine's Day. I did the novel without a contract. I bet on myself."
the power of friendship
"It helps if you have friends who believe in you. My friends read my first drafts. A lot of times they will believe in a project when I'm getting rejected. We underestimate the importance of having one strong friend. The telephone is a wonderful ally to combat the isolation of being a writer, as is e-mail. If you know what your friends are doing, it's harder to feel lonely. I also think writing is its own companion. You're not lonely when you're actually writing."
a typical day, the artist's way
"I get up late. If I can, it's noon. I write my morning pages first thing. I ask for guidance and sit quietly and see if there's anything I need to be doing. I usually work on the music [for my upcoming musical]. I have a collaborator, Emma Lively, and we've written three musicals together. We work for a few hours. Then I put in a couple hours of prose writing. I sometimes don't get out of the house until 5:30. I try to get a walk in every day."
overcoming writer's block
"I use the same unblocking tools that I teach my students. They make you much more alert to the signals. I grapple with writer's block right away. Morning pages [three pages of writing about anything that comes to your head] are one such tool. I've been writing them for 25 years. In The Artist's Way, I also write about "blasting through blocks." By listing any angers, fears, and resentments related to a project, that often clears the decks right away.
Emma and I have been hired to write music for a one-woman show. I feel blocked around it. I take a look at my ego—I'm not used to working FOR people anymore. I need to be a beginner again. Hopefully once I surrender my need to be the boss, it'll work out."
favorite books
"Tim Farrington is my favorite writer. He's written two books—The Monk Downstairs and The Monk Upstairs. He's so funny and deft, and he was the inspiration for me to write Mozart's Ghost. I dedicated the book to him."
daily must-reads
"I read a little teeny book called Twenty-Four Hours a Day that was put out by Hazelden. It's a meditation book. I also read Creative Ideas by theologian Ernest Holmes, which was originally published in 1934. They just re-released it, and I wrote the intro. Right now I'm reading My First Five Husbands by Rue McClanahan and Drinking: A Love Story, a memoir by Caroline Knapp."
most rewarding career moment
"I think I'm sort of singular in that I like book tours. I meet people who say I used your tools and they changed my life and this is what I did with them."
scariest career moment
"Watching my first musical go up in 1998. It's scary. I just heard the music so beautifully in my head that it was hard to deal with some of the compromises of getting it on the stage. I was sitting in the back of the theater saying, 'It's brilliant. It's awful."
on networking
"I think it's most important that we do the work and then have something to network about. Sometimes people want networking to be a shortcut or a guarantee. Networking gives you a sense of the possible. I have a number of women friends in their 70s and 80s and they are a tremendous source of inspiration. One runs a horse ranch. One got a master's in poetry at 75. One is in her 80s and is still an active actress. I believe that other women are inspirational."
parting thoughts...
-"I am happiest when ... I'm writing."
-"Success to me means ... creativity."
-"The public figure I wish most would read The Artist's Way is ... Warren Beatty. I don't know if he has."
-"I will always think of myself as ... a good horseback rider."
-"My business would not have happened if ... I waited for guarantees."
-"The most important thing I do every day is ... stay sober. I have 30 years without a drink."
This Featured Lady was profiled by Michele Shapiro, a writer living in New York City.
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